Mark Stefanik for The Wall Street Journal

Shooting a portrait about cybersecurity for The Wall Street Journal, I had spontaneous inspiration to purchase a chain and pad lock 15 minutes before the shoot and to have the subject stand behind a chain-wrapped computer monitor. Of course I also shot the portrait without the chain, which is what eventually ran in today's Wall Street Journal. Nonetheless, my computer monitor in bondage lives on here, at my blog. Enjoy.


Mark Stefanik of Advantage Benefit Solutions was hit by ransomware when his computer files were locked by a cybercriminal. Stefanik paid $400 ransom to unencrypt his data. 

2014 M. D. Anderson Cancer Center Annual Report

I'm proud to share some tear sheets from the 2014 M. D. Anderson Cancer Center annual report. It's been a great experience working with them and I continue to shoot for the research institution for their quarterly publication, Conquest Magazine.

We had to ditch the beauty dish shortly after the shoot began since the Alien Bees vagabond battery decided to give out at that very moment. We used a backup Quantum Flash instead.

Our brave subject and cancer survivor.

American Photography 31 selected winner

I'm honored to announce one of my images from my Keystone XL project has been selected for inclusion in the prestigious American Photo 31 annual award book, to be published in November 2015.

From 9,376 pictures entered by 904 photographers, magazines, agencies, publishers and schools, the jury selected, by a majority vote or better, only 328 images to appear in the book and represent the best pictures from 2014. - AI/AP

Rosemary Kilmurry, 93, in her living room near Atkinson, NE. The proposed Keystone XL pipeline would cut through her property.

Hospital Discharges Rise at Lucrative Times for The Wall Street Journal

"A Kindred Healthcare Inc. hospital in Houston discharged 79-year-old Ronald Beard to a nursing home after 23 days of treatment for complications of knee surgery.

The timing of his release didn’t appear to correspond with any improvement in his condition, according to family members. But it did boost how much money the hospital got." - WSJ

I photographed the widow of Ronald Beard, Barbara, with a sizable stack of paperwork related to her husband's hospitalization and resulting conflict with Medicare. The story can be read here.

Barbara Beard by a stack of paperwork connected to her dispute with medical providers Feb. 5, 2014 in Katy, TX. Beard's husband was discharged from a long-term hospital after a 23 day stay to rehab following a botched knee surgery, and later died.


Arcade Fire tearsheet from January 2014 issue of Q Magazine

The discovery of tearsheets of my work with Arcade Fire continues with this double truck photo of their first performance for Reflektor in October 2013 in Bushwick (aka East Williamsburg, don't get me started), Brooklyn, New York in the January 2014 issue of Q Magazine, a British music publication. 

They began the evening in jest on a side stage with giant paper maché heads, and continued with a surprise performance by the full band on the main stage, which was hidden behind a heavy black curtain held with velcro.

Ladies and gentlemen, the Reflektors!

Win serenades the crowd.

Arcade Fire for Metro

For two weeks in October 2013, I was living the dream as a photographer for the band Arcade Fire as they played a series of warm-up shows for their Reflektor tour in New York City, Miami and Los Angeles. During our time in Miami, we produced a portrait shoot at a Haitian restaurant called Tap Tap, which has lovely paintings inside and great natural light. The images below made it into print in Metro, a British newspaper based in London. The shoot was produced on 800 ASA Porta 35mm film using natural light.

One of me by the band during the shoot.

Mo' Muscle Cars for The Wall Street Journal

I had a last minute assignment for The Wall Street Journal yesterday - a story about how small business owners are dropping their insurance as more of their employees choose plans provided by the Affordable Care Act. Owner Blake Meaux had a lot of beautiful cars to choose from, but with the overcast sky, this gray 1957 Chevy Bell-Air seemed like the perfect choice. A cropped version of the first photo ran on page B5 of today's WSJ. 

Conquest Magazine for The University of Texas MD Anderson Cancer Center

Recently I shot a couple of portraits for a new client that I'm happy to share. Giulio Draettta, Ph.D, M.D., a professor in molecular and cellular oncology and Andy Futreal, Ph.D., professor in genomic medicine, are both part of the Moon Shots program at M. D. Anderson. The goal of the program is to accelerate both research and practical application of the most current cancer treatments possible. The program researchers are targeting eight cancers: acute myeloid leukemia (AML), myelodysplastic syndrome (MDS), chronic lymphocytic leukemia (CLL), melanoma, lung cancer, prostate cancer, and triple-negative breast and ovarian cancers. 

Giulio Draettta, Ph.D, M.D

Andy Futreal, Ph.D.

Ferguson, Missouri protests for National Public Radio's Code Switch blog

Protestors lock arms in front of police to keep agitators from creating more turmoil.

By a fluke of circumstance, I happened to be in St. Louis during some of the protests happening in Ferguson, Missouri. My family had been on vacation for the prior two weeks with my in-laws. My father-in-law wanted a nice family portrait that I was to be included in. Normally when I go on vacation, I travel very light camera-wise, usually taking only a body and lens and a laptop. This time, however, I decided to bring my whole kit since it would be easier to have all the necessary equipment on-hand and not piecemeal and potentially forget something crucial. 

My wife, a health and science reporter, was to attend a fellowship in Columbia, Missouri immediately following our vacation. She's a St. Louis native, so the plan was for her to go to Mizzou while I stayed behind with our daughter so she could get extra time for a week with her grandparents. 

An image made right around the time I was shot in the forearm with a rubber bullet. Oddly, it was on my left arm, which may indicate that the bullet was shot not from the approaching police force, but from an unknown flank position.

While we were on vacation, I could see that things were really heating up 20 minutes from my in-laws home in St. Louis. I thought to myself that surely things will have cooled down by the time I got there. When we eventually arrived in St. Louis, my wife took off for Columbia and I called a family friend to come by and watch our daughter (my in-laws weren't back yet) while I went to explore the situation in Ferguson. I naively told the family friend that I expected to be back in an hour or so and that at this point, it was probably just going to be people marching up and down W. Florissant Avenue, holding signs and marching. I even opted to only bring a little film camera I own. I figured I'll experiment and then go home. 

What I didn't realize was that things were far from calm. While things were peaceful enough when I got there, they deteriorated within about an hour and a half. The word on the street was that some people had decided to march toward the police command center about a half-mile from where many protestors and media were stationed. The next thing I knew, canisters of tear gas, smoke bombs, flash-bang grenades and lastly, rubber bullets, came flying down the street.

The aftermath of my left forearm after being struck with a rubber bullet

I found a gaggle of other photojournalists to group up with, most of them decked out in gear that I didn't have - tactical helmets, gas masks and flak jackets. I was standing on the curb trying to frame up a shot when I felt something hit my arm and it hurt like a thousand expletives. I instantly recoiled and ran back, zig-zagging, into a parking lot. I thought to myself "Holy sh*t! What the hell was THAT?" My arm started swelling up immediately. I was full of adrenaline and kept trying to make pictures, armed with a film camera with 400 speed film pushed to 3200 and one 35mm prime lens. It felt like futility. The cops kept pushing everyone back and their approach was overwhelming. As I came within about 500 yards from my car, I heard shattering glass. Groups of men were starting to loot a Papa John's Pizza on one side of the road and a pharmacy on the side of the road I was on. I looked around and noticed I was the only media left at this point and that things were getting very, very hairy. I made it back to my car, but only after being faced down by an approaching armored vehicle surrounded by soldier-y looking men with flashlights on their rifles, approaching my general vicinity. Hands up, I crab-walked away from them, made it to my car and then headed out when there was a break in the rush of people running by.

The next day, I made phone calls around town to find out about purchasing at the very least, a tactical helmet and hopefully a gas mask. The first place I called said they had sold out of helmets after last night's melee. Another place said they only had four helmets and were holding them for CNN. After what could be a whole other blog post just about getting last minute protective riot gear, I came away with a very used kevlar helmet and a Serbian gas mask with a dried out filter element. Still not on assignment for anyone, I went out the next night to try again, this time with my digital gear. The night was intense, but not as intense as the prior night. There was some tear gas used (hence discovering that the filter element in my Serbian gas mask was compromised) but by the time I got to where some shooting at the police had taken place, things had calmed down, at least by the strange standards of the protests.

A man is directed toward police after shots were fired at law enforcement moments earlier.

The next day, I was contacted by friend and NPR supervising editor Kainaz Amaria asking if I'd like to shoot a two-day assignment for Gene Demby, who runs the Code Switch blog at NPR. The interesting element is that she was looking for photos that showed a sense of place and not so interested in protest pictures, images of which had already saturated the media. I was very game and spent the next two days with Gene going off the beaten path throughout Ferguson, not just the scenes of the protest but neighborhoods and the downtown area. 


It was good to get away from the protests and explore Ferguson from another perspective. It was definitely work that was in my wheel-house and Kainaz's great editing helped focus my efforts. You can check out the final product at Code Switch here. Some of my favorite images from the assignment are below.

The owner of Red's Barbecue, left, speaks with a man making repairs to the restaurant.

Linda Owen takes a photo of her husband Al August 19, 2014 in Ferguson, MO in front of the Ferguson Brewing Company. The couple are from an unincorporated section of St. Louis County and were visiting Ferguson to help support the town.

Linda Owen takes a photo of her husband Al August 19, 2014 in Ferguson, MO in front of the Ferguson Brewing Company. The couple are from an unincorporated section of St. Louis County and were visiting Ferguson to help support the town.

A school bus driver gestures while waiting at a stoplight August 19, 2014 in downtown Ferguson, MO.

As protests take place two miles away, a spin class goes on uninterrupted August 19, 2014 

A drive-thru sign at one of many shuttered businesses along W. Florissant Avenue.

Members of the Nation of Islam walk down W. Florissant Ave. August 19, 2014 in Ferguson, MO.

A closed clothing store along W. Florissant Ave. August 19, 2014 in Ferguson, MO. 

A woman stands before a chop suey restaurant August 19, 2014 in Ferguson, MO along W. Florissant Ave. where rioting took place earlier in the week.

A child stops to tie his shoe along W. Florissant Ave. August 19, 2014 in Ferguson, MO. W. Florissant Ave. has been the location of protests and occasional rioting related to the shooting of an unarmed Michael Brown by Ferguson police.

A protestor poses for a portrait August 19, 2014 in Ferguson, MO. 

A police officer glares at a photographer August 19, 2014 in Ferguson, MO. 

A woman, left, sings at a memorial where Michael Brown was shot on August 9, 2014 on Canfield Drive. Photographed August 20, 2014 in Ferguson, MO.

Road barriers stand at the end of Canfield Road, the same street Michael Brown was shot and killed on by a Ferguson police officer August 20, 2014 in Ferguson, MO. Some residents have complained that they're not able to get to their homes and don't know shortcuts that law enforcement presumes they know. Many cars were observed by the photographer driving through adjacent yards to get past the barriers with ease.

A card from the FBI stuck in the door in a third floor apartment overlooking the street where Michael Brown was shot and killed August 20, 2014 in Ferguson, MO. The apartment appeared to be empty and in disrepair as viewed through the undraped window.

DeShawn White, 12, left, Tayron Wilhite, 13, and Ricky Allen, 15, toss a football around August 20, 2014 in Ferguson, MO. They were playing just around the corner from where Michael Brown was shot and killed by a Ferguson police officer.

A football is tossed in front of Trice Johnson, 8, left, Jamyla Bolden, 8, Destiny Sonnier, 8, and Rayell Hickman, 8, as they pose for a photo August 20, 2014 in Ferguson, MO. The kids were in a yard  just around the corner from where Michael Brown was shot and killed by a Ferguson police officer.

Two kids play basketball on Ellison Road, just around the corner from where Michael Brown was shot and killed by a Ferguson police officer. August 20, 2014 in Ferguson, MO.

Markquetta Powell, left, and Deborah Austin chat on the sidewalk August 20, 2014 in Ferguson, MO. The two were chatting just around the corner from where Michael Brown was shot and killed by a Ferguson police officer.

People cross W. Florissant Ave. as evening approaches August 20, 2014 in Ferguson, MO. The protest that evening was smaller and more calm than prior evenings.

A sprinkler waters a backyard lawn that abuts W. Florissant Ave., where protests have taken place nightly August 20, 2014 in Ferguson, MO.

Greg Jones, left, greets Walter Nash as Nash cooks free BBQ on W. Florissant for protestors August 20, 2014 in Ferguson, MO less than a mile away from where Michael Brown was shot and killed by a Ferguson police officer.

Asia Jackson, left, and Taylor Barnes, sit in front of a W. Florissant Ave. boutique August 20, 2014 in Ferguson, MO. Both are from Ferguson and were out to support the protest.

Elder Jason Watts, right, of the Williams Temple Church of God and Christ, listens to a woman who claimed she heard from God that the rain was a symbol that something bad was coming August 20, 2014 in Ferguson, MO.

Two police officers wait out a passing thunderstorm along the protest route on W. Florissant Ave. August 20, 2014 in Ferguson, MO.

Protestors walk past a bus stop at W. Florissant and Ferguson Ave. as law enforcement officers are reflected in the bus stop window August 20, 2014 in Ferguson, MO.

Red Ox Bar & Grill for Texas Monthly

I enjoyed a recent last minute assignment from Texas Monthly to shoot for the September 2014 issue dining guide. It's the most real estate I've had in the magazine to date. Below is the page and one of my favorite images from the outtakes. 

Welder Anthony Solis for The Wall Street Journal

Not everyone has big dreams of going to college. Some cut to the chase and learn practical skills to get started earning as soon as possible. One example is welder Anthony Solis, 19, who is a welder working in Houston. I was assigned by the Wall Street Journal to photograph Solis against a grey background. The example page the editor sent was shot by extraordinary photographer Spencer Heyfron and was told to match the style as closely as possible. Heyfron's images are pretty spectacular so I knew I had my work cut out for me. An issue I've been trying to work out recently has been catchlights in the eyes. After some online research, I decided to use a gridded beauty dish on a boom directly over and above Solis, and pop a shoot-through umbrella to his left just to add a tiny bit of fill and put a nice light in his eyes. I was happy with the result and am especially excited about the huge photo play on the front of the WSJ's weekend Review section.

Below are a few of my favorite outtakes as well as the image that ran and the tear sheet.

Country musician Mary Sarah for the Houston Chronicle

Rising country musician Mary Sarah joined me on the roof of the Houston Chronicle parking garage, as well as the paper's decommissioned loading dock, to make some portraits for a feature about her new release. Sarah has joined forces with the likes of Dolly Parton and the Oak Ridge Boys recently and her new album appears to be building a lot of steam. She was great to work with and was game to break away from the photography studio at the paper and shoot outdoors, even in the heat of mid-summer Houston. Yee-haw!

Tear sheet

Studying the minds of fishermen

A shoot for Monitor on Psychology introduced me to Sharon A. Croisant, PhD, a researcher studying the epidemiology of fishermen affected by the mental health effects of the Deep Water Horizon oil spill, among others.

From the website: "Croisant is a specialist in translational research. She describes this approach as “taking science from the lab to the bedside, and to the curbside”: The information gained in the research lab enhances patient care, and is used to understand and prevent disease in the community. Croisant currently is working with a consortium of researchers from four universities and community groups on the GC-HARMS study to understand the impact of the Deep Water Horizon oil spill on the safety of Gulf seafood and the health effects for those who consume it."

The editor wanted something "gritty." Thankfully, a retired oil rig sits near a dock two minutes from her office, and she agreed to meet me just before dusk. Using a Quantum flash with a soft box attachment, I was able to use the small light source to illuminate only her face and let the background take care of itself.


Favorite image


Patrice Pike for the Houston Chronicle

I love photographing musicians because they're open to just about anything. It's not that this shoot was so wild and crazy, but Patrice was happy to share in a moment of innocent mischeviousness when I asked her to get on top of the bar. Below are a couple of my favorite shots from the session.

Patrice Pike in front of Houston's Mucky Duck

Patrice Pike on the bar at the Mucky Duck

Doug Dreher for Houstonia magazine

I had the recent opportunity to do a good, old-fashioned day-in-the-life story on collector and barber Doug Dreher. Doug runs a legendary barber shop in the Heights neighborhood in Houston (look for a three-minute barbershop scene in "Rushmore," for example). He is also an avid collector of all things. His home is stuffed with a litany of objects including vintage ceramics and old 45 record albums. Doug has an eclectic past as well as an eclectic present and is certainly one of the people that make Houston unique and fun to live in just by his existence.

Houston mayor Annise Parker for The Advocate

I'm stoked to see my photos of Mayor Annise Parker on the cover and inside story in latest issue of The Advocate magazine. In 12 minutes, I was able to pull out a shot against a full-body seamless and a shot with the city seal in the background. The tear sheets look great, with only minimal water damage. Thanks, United States Postal Service!

Terrence Malick and the five-alarm fire

In late March, a five-alarm fire utterly destroyed the huge Axis condominium project in the Montrose neighborhood of Houston, a huge city with no zoning laws. Because of this, builders have a lot of flexibility in where and how they want to erect a project. That being said, this condo was pushed right up to the very edge of a historic cemetery. I live nearby, and after hearing more than the usual amount of fire engines screaming past my home, I went out to my deck and looked north, where a huge plume of black smoke engulfed the sky. I grabbed my gear and opened up an app on my phone that tracks fires and traffic accidents and headed out the door. When I finally got to the scene, I hopped the fence of the Magnolia Cemetery where I saw an obelisk with the word "Father" written on the pedestal. With a surreal fire raging in the background, I immediately thought of the whispery voice-overs from Terrence Malick's "Tree of Life," (although I think in the movie, it's the word "mother" that is urgently voiced by Sean Penn).

Semajay Thomas for The Chicago Tribune

Last month I was commissioned to photograph up-and-coming boxer Semajay Thomas for the Chicago Tribune. Thomas was in Houston training for a fight the following Monday. Thomas, a 21-year-old boxer from West Town (Chicago) with a highly decorated amateur career, finally is well positioned and well supported for a successful professional career three and a half years after being acquitted of a first-degree murder charge that resulted from an incident he actually had no part of.

2014 Houston Art Car Parade

260 creative cars and over 315,000 spectators set the festive tone for this years Houston Art Car parade, which I covered for the Houston Chronicle last weekend. Below is one of my more favorite frames. Low-riders are the original art cars: meticulously designed, passionately created, and just all-around cool.