Attendants participate at the Rage Against the War Machine event, organized by the Libertarian movement, Feb. 19, 2023 in Washington at the Lincoln Memorial. I give this guy a lot of props for his impressive outfit. It makes communism seem so appealing and not totalitarian at all!
What is more fun than a gathering of folks who want an open and free market but don’t want to pay for any of the services that make up civil society? Making double-exposures of the attendees!
Read MoreI have been feeling a little bored with photography, to the point where I feel it has become predictable. In most cases, I pretty much know how something is going to look even before I make a photo of it.
Also needing something new to sink my teeth into, I decided to start making more unpredictable photos by focusing on double-exposures in my personal work for the foreseeable future. Within that technique, I thought using the potential chaos of a double-exposed frame would be useful in communicating how it feels to be at some of the many protests Washington, DC has to offer throughout the year.
However, there aren’t protests here every day (even in DC). As a backstop against protest-less days, a second subject I’ve found is great for double-exposures are the different national monuments in the city. They all have clean, white backgrounds and are usually busy with tourists too busy doing goofy things for their own photos to be bothered with me using them as compositional objects.
The black and white images are from film I loaded into cassettes myself and I processed at home. I plan to start processing color at home in the near future as well, but for the time being, I’ve found a great place in Baltimore that will develop film inexpensively - Full Circle Fine Arts Services .
Despite all the commercial work on my website, street photography is really the reason I put the camera to my face. Check out some fresh work below and let me know what you think!
About a month ago, I received a phone call from my good pal Brandon Thibodeaux, a regular contributing photographer for The Wall Street Journal. He wanted to know if I wanted to shoot the video segment for a Wall Street Journal feature story on Carol Paul and the Ron Paul Cookbook. Having a chance to produce a video for The Wall Street Journal sounded like a great opportunity, so I accepted the challenge. The shoot took most of the day, with WSJ reporter Elizabeth Williamson talking with and helping Carol Paul make a couple of recipes in Paul's new kitchen. Mrs. Paul was very gracious and a real character. She was a real pleasure to interact with and record. The editing took about a month, mostly due to being slammed with other work. The fine editors at the WSJ were okay with it, though. In fact, they were instrumental in providing feedback with my edit. It was almost like getting paid to learn.
I also made a lot of progress in finding my way around Final Cut Pro X, Apple's newest version of their non-linear video editing program. It's completely different from Final Cut Pro 7, sometimes in good ways. Other times, in not so good ways. So there was a learning curve there.
Bring your appetites and check out the video below.