Champion Cornhole Player Ryan Smith for The Wall Street Journal

Ryan Smith, a former defensive back for James Madison University, found his post-collegiate athletic calling through the game of cornhole. The object, to toss a bean bag 45 feet away into a hole six inches in diameter, is as challenging as it sounds.

I was able to photograph Ryan at a brewery, Twinpanzee, in Sterling, Virginia. The cavernous space offered lots of room to work in. Movable walls made of plywood the brewery uses to separate brewing equipment from the cornhole court created interesting, clean backgrounds and good visual separation between Ryan and what would otherwise have been a very cluttered background of tanks and hoses. The best part is Ryan had no problem at all with my strobe blasting away for the whole shoot. He continually dropped bags into the hole like he was standing right over it - it really was amazing to witness.

It’s a good thing we both showed up early, because I used up a half-hour attempting some stroboscopic images of Ryan tossing the bag, but there was just too much ambient light I couldn’t control, so I bagged the idea and moved the strobe behind and to Ryan’s right, really just to see what it would look like and to get some kind of visual starting point. As soon as I saw the potential in the first frame of creating Ryan’s silhouette on the wall and getting his beanbag in there, nicely separated inside the shadow, I knew I’d have a keeper.

My favorite photo is the first one below. I brought along a Q-Flash T5D-R, a small, powerful strobe that is easy to move around in active environments like the cornhole court.

The image also set a style for the remainder of the shoot. Luckily, Ryan was playing in front of a large stainless steel wall, inside which kegs of delicious beer are kept. The Q-Flash loves shiny surfaces, and with Ryan’s bright red jersey, blue beanbags, and outgoing personality, I was able to create images that, for me at least, made something visible from the invisible.

Check out The Wall Street Journal’s story to learn about his workout routine and how he keeps in shape physically and mentally for his upcoming busy tournament season. And see some outtakes and the tearsheet below.

Cover and feature photography for Maryland Leaf magazine's February 2020 issue

I hope your week is going well because it’s about to get a lot better after you check out the pics I made for my first Maryland Leaf assignment! We toured the grow operations at gLeaf Medical Cannabis in Frederick, Maryland for the February issue. 

On Assignment: Science Fair advertisement for Shell Oil

It's taken a while, but I was finally able to get my hands on some tear sheets for an assignment from last year. I really enjoy photographing children (I'm somewhat a big kid myself). Their humor and energy can really bring an image to life. For this shoot, we hired a team that puts on science shows for grade school kids. They brought the colored liquids and dry ice, the kids brought their spirit, and I brought my camera. I hope you enjoy the results as much as I do.

Billboard advertisement

Magazine advertisement

On Assignment: Dr. Erlanger Turner for Monitor on Psychology

I'm honored to have been tapped to make the first portrait for the newly redesigned trade magazine Monitor on Psychology, a publication I've been working with for years. I'm super-happy with the results and look forward to working with them on their next project.

On Assignment: Kyle Martinez for Pro Sales Magazine

I'm really happy with recent this tear sheet from an assignment for lumber trade magazine ProSales. The editor wanted something "other than a person standing in front of a pile of lumber." The subject, Kyle Martinez, is 31 years old but already owns and operates a sizeable lumberyard in rural northwest Louisiana. I decided to ask him to do some pull-ups inside one of the warehouses. What's more youthful than showing how many pull-ups one can do?  All involved were very pleased with the results!

On Assignment: Cover shoot for The Chronicle of Philanthropy

Amy Lampi, a development director at the Alley Theatre in Houston, Texas, is using analytics to help boost fundraising for the organization. The Chronicle of Philanthropy asked if I could shoot the cover photo for the feature on Lampi, and had a great idea that I was excited to be a part of.

The publication wanted to see Lampi seated in the theatre, with individual, random theatre seats lit up around her to symbolize potential new donors. A great idea, but it was now up to me to carry it out. My initial solution was to use grids on strobe heads planted on stage and pointed toward individual seats. I got a wakeup call, however, when I noticed that the light spread, even though I was using 10 degree grids, became too wide once the light made it to the individual theatre seats. To solve this problem, I decided to turn the power down on all the lights and position them right in front of the seats I wanted to illuminate. This created a new problem, that I could now see the top half of the lights in the frame. A quick search backstage and I came back with black(!) towels to put over the tops of the reflectors. With three lights balanced on seats and camera cases, and a reflector with a three-degree grid on the subject (positioned from the stage), we were good to go.

In post-production, I photoshopped out the tops of the lights by copying the top of the seat next to which ever one was illuminated. The editor later also wanted an extra seat illuminated. Again, a layer here, a quick mask there, and voila! - an extra illuminated seat.

August 2016 cover of The Chronicle of Philanthropy

 

 

European Space Agency astronaut Luca Parmitano for the Financial Times Weekend Magazine

I travelled to NASA again recently for the Financial Times Weekend Magazine to photograph European Space Agency astronaut Luca Parmitano. Sometimes when I shoot or assist at NASA, it can be a hassle. There are layers of bureaucracy at the federal agency that can be a challenge to navigate: ID's are checked, public relations people assigned and hovering, places that are off-limits, etc.

This time, things were pleasingly different. Parmitano arranged for us to meet at Rocket Park, which houses a collection of decommissioned rocket ships. Even better, it sits just outside the fence line at NASA, so it's easy in, easy out. Also, it was a weekday, in the morning, so there were no crowds.

The only problem? Strong winds off the gulf and no assistant.

No assistant? No problem!

Nonetheless, once Luca showed up, I knew we'd make pictures. He's statuesque with chiseled features and looks good in a flight suit. He was also very friendly and easy to work with. Best of all, he didn't bring anyone with him (i.e. a handler). It was just me and a guy who's been to space(!). Pretty cool if you ask me.

Stay safe up there, Luca!

Tear sheet from the July 9/10, 2016 issue of FT Weekend

JLabs at the Texas Medical Center for Houstonia Magazine

In a former Nabisco cookie factory near the Texas Medical Center stands a futuristically decorated science and technology incubator called JLabs. The project, "part of Johnson & Johnson Innovation, LLC, is a network of incubators providing emerging companies with many of the advantages of being in a big company without the capital investment. Residents have access to turnkey, state-of-the-art infrastructure, including singular bench tops, modular wet lab units and office space on a short-term basis." - http://www.tmcinnovation.org/jlabs/

An assignment from Houstonia magazine that began as a request for interiors for a quarter page turned into a full-page portrait and multi-page display after ad pages were added to the magazine near the end of production. Working with the talented and versatile art director Tanyia Johnson, we turned out some tear sheets I'm quite proud of.