Champion Cornhole Player Ryan Smith for The Wall Street Journal

Ryan Smith, a former defensive back for James Madison University, found his post-collegiate athletic calling through the game of cornhole. The object, to toss a bean bag 45 feet away into a hole six inches in diameter, is as challenging as it sounds.

I was able to photograph Ryan at a brewery, Twinpanzee, in Sterling, Virginia. The cavernous space offered lots of room to work in. Movable walls made of plywood the brewery uses to separate brewing equipment from the cornhole court created interesting, clean backgrounds and good visual separation between Ryan and what would otherwise have been a very cluttered background of tanks and hoses. The best part is Ryan had no problem at all with my strobe blasting away for the whole shoot. He continually dropped bags into the hole like he was standing right over it - it really was amazing to witness.

It’s a good thing we both showed up early, because I used up a half-hour attempting some stroboscopic images of Ryan tossing the bag, but there was just too much ambient light I couldn’t control, so I bagged the idea and moved the strobe behind and to Ryan’s right, really just to see what it would look like and to get some kind of visual starting point. As soon as I saw the potential in the first frame of creating Ryan’s silhouette on the wall and getting his beanbag in there, nicely separated inside the shadow, I knew I’d have a keeper.

My favorite photo is the first one below. I brought along a Q-Flash T5D-R, a small, powerful strobe that is easy to move around in active environments like the cornhole court.

The image also set a style for the remainder of the shoot. Luckily, Ryan was playing in front of a large stainless steel wall, inside which kegs of delicious beer are kept. The Q-Flash loves shiny surfaces, and with Ryan’s bright red jersey, blue beanbags, and outgoing personality, I was able to create images that, for me at least, made something visible from the invisible.

Check out The Wall Street Journal’s story to learn about his workout routine and how he keeps in shape physically and mentally for his upcoming busy tournament season. And see some outtakes and the tearsheet below.

Cover and feature photography for Maryland Leaf magazine's February 2020 issue

I hope your week is going well because it’s about to get a lot better after you check out the pics I made for my first Maryland Leaf assignment! We toured the grow operations at gLeaf Medical Cannabis in Frederick, Maryland for the February issue. 

Jill Vialet, CEO and Founder of Playworks for Harvard Magazine

I recently had a fun shoot with Jill Vialet, the CEO and founder of Playworks. How could it not be when the founder’s organization partners with schools to promote exercise and social and emotional health through recess, and the shoot is on a school playground? Jill was game for just about anything and the location was perfect. Check out some outtakes and tearsheets below.

Rolex Monterey Motorsports Reunion at Laguna Seca for Nissan

This past weekend was spent shooting the Rolex Monterey Motorsports Reunion at Laguna Seca, primarily to photograph the U.S. debut of the GT-R 50, Nissan’s one-of-a-kind, $1 million sports car, of which only fifty will be made.

The Shell Eco-Marathon for Royal Dutch Shell

Photography: Action and behind-the-scenes at Sonoma Raceway

I had the fantastic opportunity to cover the 2018 Shell Eco-Challenge at Sonoma Raceway last month. The four-day event was a competition between college and high school engineering students to design, build and race the most fuel-efficient vehicle possible. The top winners of each category - electric, gasoline and hydrogen - proceeds to the big race in London later this year.

Check out some of my favorite images below and let me know what you think!

Right-wing rally at Berkeley's Martin Luther King Jr. Civic Center Park

It was a busy weekend here in the Bay Area, ending with a sometimes violent rally held at at the Martin Luther King Jr. Civic Center Park. The event began quietly and then quickly ramped up into violence. I avoided the main scrum and stayed around the edges. However, quite a bit of activity happened where I was stationed near Allston and MLK, where I made the photos below. 13 people were arrested, but thankfully nothing happened as tragic as what took place in Charlottesville a few weeks ago. 

On Commission: Non-profit photography for Plant It Forward Farms

A recent commission to create fresh imagery for a Houston-based non-profit organization allowed me to see first-hand how refugees are being helped to establish themselves in their new country. Plant It Forward serves mainly Congolese refugees by allowing them to farm unused land in urban areas while letting participants keep all their profit. Farmers sell their fresh veggies at local farmers markets as well as farm-to-table based restaurants.

The images were used to build a new website, create print collateral and for social media publication. 

From the archives: Bull Riding School Student Portraits

I recently took time to reorganize some of my negative archives when I came across some portraits I took at a bull riding school in 2014. I remember my goal was to make a portrait of the students immediately following their first-ever ride on a bull. The students, to my surprise and initial disappointment, looked nonplussed. I wanted to see a modicum of vulnerability in their faces, but instead only saw pictures of teenagers in cowboy clothing. I scrapped the idea and moved on.

A second look this month, at least three years later, revealed there is an underlying tension in the images, for me at least. Whom of us as adolescents couldn't wait to grow up to be the archetype we most admired? In some of these images, I see some who easily slide into the role, and others have a long trail ahead of them.

In case you're interested, the images were shot with a Hasselblad 553ex and Tri-X film. Let me know what you think!

Cheers,

Eric

On Assignment: recent photographic work for a large chemical company

I'm proud to present work I recently completed for a large chemical company. It's always an adventure suiting up in fire-retardant clothing, steel-toe boots, gloves and safety glasses and venturing into the maze-like catacombs of a multi-billion dollar chemical plant expansion.

The scale of the project is awe-inspiring and I'm amazed how over 4000 people show up to work every day and bring such an enormous project into reality. Visually, it's always fun to get this close to the action, something most of us don't have the opportunity to do. The geometry, symmetry, and the amazing way everything visually fits together into one delights my eye.

Check out some of my work below and let me know what you think.

Cheers,

Eric

On Assignment: Science Fair advertisement for Shell Oil

It's taken a while, but I was finally able to get my hands on some tear sheets for an assignment from last year. I really enjoy photographing children (I'm somewhat a big kid myself). Their humor and energy can really bring an image to life. For this shoot, we hired a team that puts on science shows for grade school kids. They brought the colored liquids and dry ice, the kids brought their spirit, and I brought my camera. I hope you enjoy the results as much as I do.

Billboard advertisement

Magazine advertisement

On Assignment: Cover shoot for The Chronicle of Philanthropy

Amy Lampi, a development director at the Alley Theatre in Houston, Texas, is using analytics to help boost fundraising for the organization. The Chronicle of Philanthropy asked if I could shoot the cover photo for the feature on Lampi, and had a great idea that I was excited to be a part of.

The publication wanted to see Lampi seated in the theatre, with individual, random theatre seats lit up around her to symbolize potential new donors. A great idea, but it was now up to me to carry it out. My initial solution was to use grids on strobe heads planted on stage and pointed toward individual seats. I got a wakeup call, however, when I noticed that the light spread, even though I was using 10 degree grids, became too wide once the light made it to the individual theatre seats. To solve this problem, I decided to turn the power down on all the lights and position them right in front of the seats I wanted to illuminate. This created a new problem, that I could now see the top half of the lights in the frame. A quick search backstage and I came back with black(!) towels to put over the tops of the reflectors. With three lights balanced on seats and camera cases, and a reflector with a three-degree grid on the subject (positioned from the stage), we were good to go.

In post-production, I photoshopped out the tops of the lights by copying the top of the seat next to which ever one was illuminated. The editor later also wanted an extra seat illuminated. Again, a layer here, a quick mask there, and voila! - an extra illuminated seat.

August 2016 cover of The Chronicle of Philanthropy

 

 

On Assignment: Link Ermis for AARP

AARP, one of my newest clients, sent me to Huntsville a couple of months ago to photograph Link Ermis, a military veteran whose social security benefits have been turned upside down. Ermis is "one of 1.5 million public employees nationwide, including teachers, firefighters and police, who face a big reduction in benefits because they worked jobs in which they and their employers did not pay into Social Security."

The editor asked for live photos as well as some portraits. Things were going to be tight. Ermis drove a school bus to school and had less than 10 minutes to sit for a portrait before he had to begin his first period history class. I used a small Quantum strobe for some outdoor portraits, then we hustled inside so he could start his class. He used my presence as a quick lesson to his class about what he was contending with personally with his social security benefits. I also got a refresher on the start of the First World War as he explained it to his students while I made pictures.

Digital tearsheet

Babe Didrikson Zaharias (deceased) for ESPN.com

ESPN.com recently published a feature on deceased sports heroes and how they still get visitors. I think my assignment was the control group, since I didn't see much evidence that the gravesite of Babe Didrikson Zaharias saw many visitors. And this is a shame. One of the first pro women golfers and 1932 Olympic gold-medal track star, the woman was a legend in her own time. She broke the gender barrier as well as world-records that still stand today. Read more about it here and check out a few images from the shoot below.

On Assignment: Laura Jo Degan for Newsweek

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Tuija Kalpala for Ekonomi magazine

Back in March, I got a message on my Blink app notifying me that a photo editor in Finland needed someone to shoot a cover photo for Ekonomi, a Finnish publication for economists. I had the pleasure of photographing Tuija Kalpala at Neste US, a company that produces bio-diesel. A pretty sweet gig, and all just for having an app on my phone.

On Assignment: Travis Arnold for MD Anderson Cancer Center's Conquest Magazine

I'm proud to have another great-looking tear sheet from an assignment I completed for MD Anderson Cancer Center's Conquest Magazine. Travis Arnold, a 17-year old from Spring, Texas, was diagnosed with acute myeloid leukemia - a fast-growing cancer of the white blood cells. With the help of the doctors at MD Anderson Childrens Cancer Hospital, a half-match bone marrow transplant was performed. Travis recovered and is now a top-rated golfer on Klein High School's Bearkat golf team.

Page 28 and 29, Spring 2016 issue of Conquest magazine