Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.
Nativity tableaux, Linn, Missouri.
Santa horse, Louisburg, Kansas.
Kaskaskia river, Carlyle, Illinois.
Spring Hill Cemetery, Shoals, Indiana.
A murmuration of starlings near Odin, Illinois.
East Saint Louis, Illinois.
Swing set, Cottonwood Falls, Kansas.
Wheatland Generating Plant, Wheatland, Indiana.
Roof cow, Rowlesburg, West Virginia.
Grafton, West Virginia.
Nativity tableaux, Odin, Illinois.
Harpers Ferry, West Virginia.
Harpers Ferry, West Virginia.
Motel door, Pleasant Valley, West Virginia.
Tanner's Creek Generating Station, Lawrenceburg, Indiana.
Sunrise, Ladue, Missouri.
Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.
Cañon City, Colorado. These colorful cider bottles with the sun streaking through them caught my eye, but not just because of the color, but because they were very dusty. It boggled my mind that someone would put these bottles out for display to entice shoppers to stop inside their store wouldn’t clean their product of dust I could see from a moving car passing by on the street. I stopped and grabbed a few shots of totally meaningless eye candy, and then noticed an old Chevy around the corner in the parking lot. I made a few shots when an older woman with a heavy Germanic accent aggressively confronted me to ask what I was doing. I told her I was taking a picture of the car and she replied that there had been a lot of vandalism lately. Mind you, this was in the middle of the day along a major artery of Cañon City, in a parking lot that was empty save for the Chevy. All in all, not a great first impression for Cañon City. I cut off her rant by apologizing for disturbing her and walked back to my car. It’s too bad because in hindsight, I would have loved to make her portrait and buy some cider.
Museum of Colorado Prisons, Cañon City, Colorado. The website compels visitors to “unlock the past and experience the colorful history of prison life!”
Museum of Colorado Prisons, Cañon City, Colorado. The website compels visitors to “unlock the past and experience the colorful history of prison life!”
Museum of Colorado Prisons, Cañon City, Colorado. The website compels visitors to “unlock the past and experience the colorful history of prison life!”
Museum of Colorado Prisons, Cañon City, Colorado. The website compels visitors to “unlock the past and experience the colorful history of prison life!”
Museum of Colorado Prisons, Cañon City, Colorado. The website compels visitors to “unlock the past and experience the colorful history of prison life!”
A giant snow plow rests at Monarch Pass in Colorado. The pass sits on the continental divide at an elevation of 11,312 feet above sea level. I had great weather during the road trip and going through the pass in the middle of winter was a breeze – no snow plow required! Seeing this bright orange snow plow reminded me of a funny story my wife told me about learning to drive a stick-shift as a teenager. My mother-in-law told her she’d need to know how just in case she ever needed to drive a Snow-Cat. It seems hilarious because my wife is from St. Louis. But I suppose that since “The Shining” was still relatively fresh in people’s minds in those days, we all probably should have learned how to drive a Snow-Cat.
A decommissioned tank with the words “Spear Chucker” on the turret sits in the Offerle, Kansas city park.
Grain mill, Halstead, Kansas, photographed after eating a Subway sandwich. I realize grain mills at dusk are visual low hanging fruit, but I couldn’t resist!
A white-tailed deer sprints away from tracks left over from the old Santa Fe Trail near Dodge City, Kansas. Opened by Spaniards at the end of the 18th century, the Santa Fe Trail brought migrants into the west in the 19th century from 1821 until 1880.
Two views of the 8-ball water tower in Tipton, Missouri. The tower was built by Fisher Manufacturing, which for a time was the biggest maker of billiards tables, to protect its new factory from fire. The plant closed in 1977 and was bought by Fasco Manufacturing, which painted over the tower with its logo. Fasco closed in 1989 and the town decided to repaint the tower with an 8-ball in 1999. The tower is sometimes recognized as the world’s largest 8-ball.
Two views of the 8-ball water tower in Tipton, Missouri. The tower was built by Fisher Manufacturing, which for a time was the biggest maker of billiards tables, to protect its new factory from fire. The plant closed in 1977 and was bought by Fasco Manufacturing, which painted over the tower with its logo. Fasco closed in 1989 and the town decided to repaint the tower with an 8-ball in 1999. The tower is sometimes recognized as the world’s largest 8-ball.
Two views of the capitol building in Jefferson City, Missouri. The building is undergoing renovations but it looked like Christo and Jeanne-Claude had been by and wrapped the building like they did the Reichstag.
Two views of an abandoned school in Bushong, Kansas, population 34. The town was named after St. Louis Browns catcher Albert J. "Doc" Bushong who played in the 1886 World Series, beating the Chicago White Stockings. Bushong was also the location of an Atlas missile base, abandoned in 1965. Unfortunately, I didn’t know about the missile base while I was in the town, despite it being only 10 minutes away. However, it’s a great reason to head back out on the road!
“Paulhenge,” located in Versailles, Indiana. The sun shines through the holes on solstices and equinoxes .
Stonehenge structure, Matfield Green, Kansas, population 47. According to Wikipedia, the village contains a small colony of artists and writers. I assume their Stonehenge structure is an art project and gathering place.
Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.
Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland inspired me to travel on this historic byway and document my journey. This image was made in western Kansas, where the US 50 runs almost parallel to the old Santa Fe Trail, a critical transportation route in the 19th century.
A demilitarized tank sits at the Dixie Valley Naval Training Area. Dixie Valley was a small ranching community outside of Fallon, Nevada that was acquired by the US Navy for electronic warfare simulation in 1995. While most of the area is publicly accessible, a sign near the entrance states “The land beyond this sign is used by NAS Fallon for military training. Low flying aircraft, military vehicles and personnel may be using flares, smoke/simulator grenades, and blank fire ordinance on this area at any time.” Needless to say, I wasn’t attacked while I was there. The area was quiet and vast. While researching the area, where other demilitarized vehicles and radar stations are spread across the valley, it was suggested that Dixie Valley was used to mock an invasion by a foreign power on American soil. Also, the Navy’s “TOPGUN” program (Naval Fighter Weapons Program), moved from Miramar, California to the area a year after Dixie Valley was acquired. If anyone has an idea of what kind of tank this is, please let me know in the comments!
It’s hard to describe the isolation of Dixie Valley, a former ranching community in the Nevada desert now used for combat simulation by the US Navy. So, imagine my surprise when I met this cowboy as I was going down the last road I told myself I’d explore in the valley before moving on down US 50. I stopped and we chatted for a spell and he told me I was the first person he’d spoken with in weeks. Apparently, the valley is not just for combat simulation, but is also interspersed with ranchland. He was preparing to ride out into the desert to drive cattle to another pasture, and I’d be lying if I didn’t say I was completely jealous. He’s originally from Cleveland, Ohio but made his way to the desert after a series of moves that became more and more rural as time went on.
Street signs mark a former neighborhood in Dixie Valley, Nevada. The area was purchased by the US Navy in 1995 to use for combat simulation by fighter and electronic warfare pilots. There’s a part of me that is fascinated by neighborhoods that revert back to nature ever since portions of my childhood neighborhood were allowed to return to nature following a 100-year flood.
A demilitarized troop carrier, used as target practice inside the Dixie Valley Naval Training Area in the Nevada desert. The area was purchased by the US Navy in 1995 to use for combat simulation by fighter and electronic warfare pilots. The area is littered with decommissioned tanks, radar stations, troop vehicles and other abandoned structures. While the area is publicly accessible, there is still a warning sign at the entrance to the valley stating that the area is still actively used for training purposes.
Buses traveling back from the sierras to a school district near San Jose.
Cattle watering troughs near Dixie Valley, Nevada.
A Project Shoal Nuclear Test Site monitoring well in the Nevada desert. The underground nuclear test took place October 26, 1963 to compare seismic activity between a natural earthquake and a nuclear blast. The 12-kiloton device was detonated at 1,211 feet underground.
Graffiti covers a metal wall inside a target structure at the Dixie Valey Naval Training Area. The valley was acquired from local ranchers by the US Navy for electronic warfare simulation in 1995. The water table is very high in the area and many ranches in fact were beginning to experience sinkholes and subsidence.
Target structure at the Dixie Valey Naval Training Area. The valley was acquired from local ranchers by the US Navy for electronic warfare simulation in 1995. The water table is very high in the area and many ranches in fact were beginning to experience sinkholes and subsidence.
A wall of polaroids at La Fiesta restaurant in Ely, Nevada made on a dinner break on a cross country trip from California to Maryland on US Highway 50.
I love working as a photographer in the San Francisco Bay Area. The light is fantastic, there are numerous locations offering great architecture or interior design, and because of the culture’s embrace of creativity and innovation, many of the subjects are game to play and experiment during photo shoots. To show you what I mean, I’ve selected just three images from some recent assignments.
Theater artist Taylor Mac won a MacArthur “Genius Grant” in 2017. Mac writes, directs, acts, sings, and performs experimental works that work as theatre and social commentary. I had about 15 minutes to photograph Mac for the MacArthur Foundation. Between performances of the groundbreaking “A 24-Decade History of Popular Music,” Mac was staying at the Hotel G in downtown San Francisco, built in 1909. The hotel room abutted a stairway; I peeked inside, saw the color of the walls and the window light, and immediately knew this was the place to make a picture. I had Mac play the ukulele, which was slightly difficult due to a hurt finger from stumbling in high heels during last night’s performance. Nonetheless, Mac was able to strum two or three chords, humming a quiet melody as I made pictures.
Photographed for the MacArthur Foundation.
Aaron Chow, an economics freshman at UC Berkeley, decided to research and investigate a real estate investment trust that a friend had invested in, only to discover that the trust had failed to file all kinds of SEC paperwork. Oops! Good for him, and probably bad for shady investment firms, once this young man graduates and starts his career. Chow suggested we shoot at the Asian Studies library because it has "cool architecture." By the Japanese periodicals, I custom white-balanced the fluorescent light by his head, which pushed the huge skylight in the background into a deep blue. I love it when I can employ optical physics instead of a dolly full of lighting equipment to make a compelling portrait!
Photographed for The Wall Street Journal.
David Wallerstein, the “Chief Exploration Officer” for Tencent, works in a converted church in Palo Alto. We made a number of moody pictures by the stained glass windows, and thought we had it in the bag. As we were walking back to the front door, we passed through the kitchen area where I saw the yellow-green wall with symmetrical clocks. At this point, we were warmed up and talking. David was using his phone to play some of his band’s heavy metal songs for me, and I commandeered his public relations assistant to hold a strobe. As you can see, David rocks!
Photographed for The Wall Street Journal.
I'm quite jazzed with my latest printed promo mailer piece, "Pictures of Home." The images were created over a period of years without a final purpose in mind. However, after a recent second look at these images, I discovered that many spoke to me about how "home" can sometimes contain ironies and contradictions.
I designed the 12-page tabloid in InDesign, with final touches by fabulous graphic designer Tanyia Johnson. Printing was completed by Newspaper Club on 95gsm bright newsprint. They do a great job, are very communicative and have a fast turnaround, especially for a company based in England.
Have thoughts or improvements you'd like to share? I'd love to hear them!
Until the next press run,
Eric
It was a busy weekend here in the Bay Area, ending with a sometimes violent rally held at at the Martin Luther King Jr. Civic Center Park. The event began quietly and then quickly ramped up into violence. I avoided the main scrum and stayed around the edges. However, quite a bit of activity happened where I was stationed near Allston and MLK, where I made the photos below. 13 people were arrested, but thankfully nothing happened as tragic as what took place in Charlottesville a few weeks ago.
Amy Lampi, a development director at the Alley Theatre in Houston, Texas, is using analytics to help boost fundraising for the organization. The Chronicle of Philanthropy asked if I could shoot the cover photo for the feature on Lampi, and had a great idea that I was excited to be a part of.
The publication wanted to see Lampi seated in the theatre, with individual, random theatre seats lit up around her to symbolize potential new donors. A great idea, but it was now up to me to carry it out. My initial solution was to use grids on strobe heads planted on stage and pointed toward individual seats. I got a wakeup call, however, when I noticed that the light spread, even though I was using 10 degree grids, became too wide once the light made it to the individual theatre seats. To solve this problem, I decided to turn the power down on all the lights and position them right in front of the seats I wanted to illuminate. This created a new problem, that I could now see the top half of the lights in the frame. A quick search backstage and I came back with black(!) towels to put over the tops of the reflectors. With three lights balanced on seats and camera cases, and a reflector with a three-degree grid on the subject (positioned from the stage), we were good to go.
In post-production, I photoshopped out the tops of the lights by copying the top of the seat next to which ever one was illuminated. The editor later also wanted an extra seat illuminated. Again, a layer here, a quick mask there, and voila! - an extra illuminated seat.
August 2016 cover of The Chronicle of Philanthropy
Back in March, I got a message on my Blink app notifying me that a photo editor in Finland needed someone to shoot a cover photo for Ekonomi, a Finnish publication for economists. I had the pleasure of photographing Tuija Kalpala at Neste US, a company that produces bio-diesel. A pretty sweet gig, and all just for having an app on my phone.
I'm proud to have another great-looking tear sheet from an assignment I completed for MD Anderson Cancer Center's Conquest Magazine. Travis Arnold, a 17-year old from Spring, Texas, was diagnosed with acute myeloid leukemia - a fast-growing cancer of the white blood cells. With the help of the doctors at MD Anderson Childrens Cancer Hospital, a half-match bone marrow transplant was performed. Travis recovered and is now a top-rated golfer on Klein High School's Bearkat golf team.
Page 28 and 29, Spring 2016 issue of Conquest magazine
A couple of months ago, I was fortunate to complete my first assignment for Fortune Magazine. The assignment was to photograph Tom Bastian, who manages the Invesco Equity and Income Fund.
I had great backend support from a photo editor at Fortune, Michele Taylor. We discussed options and even location snaps I made before the shoot. It was great knowing that at least the background environments were approved before I even began. We shot in what is probably the biggest boardroom I've ever seen but in the end, went with a couch on the periphery that had a nice, mirrored grid as a background, courtesy of the building next door.
Tom Bastian in the Invesco Houston office.
Digital tear sheet from Fortune Magazine.
My photo of Dynegy CEO Robert Flexon as the centerpiece in the March 13, 2013 edition of The Wall Street Journal's Marketplace section!
I've added a couple of out-takes in the end. One is of a 84 year-old barber who has been cutting hair in the same building since the mid-1950's. He was born next door. Despite being downwind from Gulf Chemical since it's inception, he is completely healthy and has no complaints. The guy repairing nets is Tom, who owns and operates Tom's Net Shop. He spends his days repairing nets used for shrimping. I found it amazing that his job hadn't been replaced by machines.[gallery link="file"]
October and November were thankfully busy months. Below are the results of some of my favorite portraits from the last two months.[gallery]
I spent a few hours today working on my project on Karen refugees. I couldn't have done it without the help of a member of the Karen community who took time out of his day to introduce me to families and translate for me for the time I was there. I'm not sure how cool he is about putting his name on my blog, so for now, he'll be anonymous. I will say he's been in the United States for almost three years and besides English, knows Burmese, Karen, and some Thai. He's a pretty impressive guy. That being said, I think I made some progress as far as getting a little deeper into the community. So far everyone has been great.
EK
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I started on a project today on the Karen refugee community where I hope to tell the story of their daily lives here in Houston. The Karen, to my knowledge, have been emigrating to the United States in large numbers since 2008 and are repressed by the government regime in Burma/Myanmar with genocide frequently used to describe their situation. The Karen, however, are a strong, resilient people who have been in active conflict with the Burmese military government since the end of World War II. I hope to find a number of stories in this community over the following weeks and months. It's so interesting to me what stories we can find in our own backyards.
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http://vimeo.com/31701106
Another set of photos from behind the scenes of the making of the Arcade Fire/Spike Jonze film "Scenes from the Suburbs" can be found on my website here.
In April, 2010, I had the opportunity to shoot the behind the scenes still images for the Arcade Fire/Spike Jonze production of the short film "Scenes from the Suburbs." The movie, screen-written by Arcade Fire, illustrates themes explored in their Grammy-winning album of the year, "The Suburbs."
For five days, I shot a mix of Illford HP5 and Kodak Tri-X film using two Nikon F5 cameras to shoot the images that eventually were included in a booklet released with the DVD of the movie. The grain you see in the film is a result of "pushing" the film three stops in some cases. It effectively raises the ISO (sensitivity) of the film. The trade off is increased grain in the film. For this assignment, it seems to work well.
To view images from the first day of shooting, check out the link to my website here.
I recently had the pleasure of photographing artist Jordan Sullivan at Peel Gallery for Gloss, a fashion and lifestyle publication produced by the Houston Chronicle. Sullivan was a little shy in front of the camera, but I think it's this sensitivity that is a part of what makes him a successful artist. [gallery orderby="rand"]
Hi folks,
I have some portraits I made in the month of April, more or less, for your perusal. Thanks for looking and I hope you're enjoying the spring weather, especially in Houston.
Cheers,
Eric
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