Burnouts and Boss Cars

I’ve always wanted a hot rod, something loud and fast. Unfortunately it’s been a long series of used, practical cars since I was sixteen. Don’t get me wrong, I was more than happy to have a set of wheels to allay my boredom.

But wouldn’t allaying that boredom with a 500 horsepower engine, tuned headers, fat tires and a shiny paint job be so much better? I tend to think so. My respite recently has been visiting a couple of drag strips out here in Maryland - Cecil County Raceway in, you guessed it, Cecil county, near the Delaware border, and Capitol Raceway in Crofton, Maryland. Of course I love the speed and power of the machines, the smoke they throw behind them as the engine rages like an angry god. But I also love how accessible they are. I can walk around in the pits all day long.

But mostly, I love it because it’s good company. These are people who are passionate about going fast, expending a huge amount of time and money to feed their addiction to speed. What could be better? Check out the images below and let me know what you think!

Verticals and Horizontals

Images from Cape Cod, Massachusetts, Summer 2019

Fifty from 50 - Images from US Highway 50, from California to Maryland, fourth in a series of posts

Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.

Fifty from 50 - Images from US Highway 50, from California to Maryland, third in a series of posts

Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.

Fifty from 50 - Images from US Highway 50, from California to Maryland, second in a series of posts

Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.

AARP at the Armed Forces Retirement Home for Valentines Day

A few select pictures created for AARP Benefits, 1-800-Flowers.com and Cheryl’s Cookies for Valentines Day. Donated cookies and roses were passed to all the residents at the home bringing them sweet and beautiful things for the holiday.

Fifty from 50 - Images from US Highway 50, from California to Maryland, first in a series of posts

Constructed in 1926, US 50 was part of the original United States highway system and extends from California to Maryland. Our recent move from Oakland, California to Silver Spring, Maryland near Washington, DC inspired me to travel on this historic byway and document my journey. All work was shot on a Mamiya 6, a film camera that creates negatives that are six centimeters square. This camera really forces me to shoot with intention. The film stock is mostly Ektar 100, for those who are curious.

Jill Vialet, CEO and Founder of Playworks for Harvard Magazine

I recently had a fun shoot with Jill Vialet, the CEO and founder of Playworks. How could it not be when the founder’s organization partners with schools to promote exercise and social and emotional health through recess, and the shoot is on a school playground? Jill was game for just about anything and the location was perfect. Check out some outtakes and tearsheets below.

Rolex Monterey Motorsports Reunion at Laguna Seca for Nissan

This past weekend was spent shooting the Rolex Monterey Motorsports Reunion at Laguna Seca, primarily to photograph the U.S. debut of the GT-R 50, Nissan’s one-of-a-kind, $1 million sports car, of which only fifty will be made.

The Shell Eco-Marathon for Royal Dutch Shell

Photography: Action and behind-the-scenes at Sonoma Raceway

I had the fantastic opportunity to cover the 2018 Shell Eco-Challenge at Sonoma Raceway last month. The four-day event was a competition between college and high school engineering students to design, build and race the most fuel-efficient vehicle possible. The top winners of each category - electric, gasoline and hydrogen - proceeds to the big race in London later this year.

Check out some of my favorite images below and let me know what you think!

Omni Labs, Inc. for Yahoo News

Photography: Portraits of start-up co-founders

Alex Modon and Vikram Tiwari, co-founders of Omni Labs, Inc. in San Francisco, have been forced to open a secondary office in Vancouver, BC because an immigration regulation, the International Entrepreneur Rule, is under threat by the Trump administration. The regulation is supposed to grant a limited stay in the U.S. to certain qualifying entrepreneurs. Two of Omni Labs, Inc. co-founders meet this qualification. Yet, their immigration status remains in limbo.

Alex Modon, left, and Vikram Tiwari, co-founders of Omni Labs, Inc., Friday, April 13, 2018 in San Francisco, CA.

After speaking with the photo editor and reporter before the shoot, we discussed ways to communicate what is at risk. In this case, it is Omni Labs, Inc. business itself. I asked one of the subjects to send me some shots of the office a few days before the shoot. It was a small, humble office, shared with another start-up. However, in the location shots, I noticed a huge map on the wall, and a small conference room with a huge window. Driving down the freeway, where I get a lot of ideas, I wondered if the map was the right distance to reflect back onto the conference room window, possibly allowing me to use the map as a translucent layer on top of the subjects, a prop to connote immigration in an abstract way. 

Alex Modon, left, and Vikram Tiwari, co-founders of Omni Labs, Inc., Friday, April 13, 2018 in San Francisco, CA.

I got to their office as early as I was allowed, and started by lighting the map with a 10 degree grid. Then I went inside the small conference room where I would photograph Alex and Tiwari and set up another 10 degree grid. The wall behind them was white, so I had to bring the key light up high and angle it down so I wouldn't illuminate the wall as well. In hindsight, I should have brought a 5' roll of black or grey seamless to tape up behind them to create better separation. Nonetheless, having a high, angled spotlight cut enough spill from the back wall to do what I needed it to do. One of the subjects showed up late, and had a meeting scheduled for 10 minutes after we started. Having arrived two hours early, I was able to accomplish what I had set out to do in 13 minutes.

Alex Modon, left, and Vikram Tiwari, co-founders of Omni Labs, Inc., Friday, April 13, 2018 in San Francisco, CA.

I caught a lucky break with the giant map and glass-walled conference room. I hope Omni Labs, Inc. catches one, too.

The Light Is Fantastic

Photography: Portraits of a stage artist, student and tech wiz

I love working as a photographer in the San Francisco Bay Area. The light is fantastic, there are numerous locations offering great architecture or interior design, and because of the culture’s embrace of creativity and innovation, many of the subjects are game to play and experiment during photo shoots.  To show you what I mean, I’ve selected just three images from some recent assignments.

Theater artist Taylor Mac won a MacArthur “Genius Grant” in 2017. Mac writes, directs, acts, sings, and performs experimental works that work as theatre and social commentary. I had about 15 minutes to photograph Mac for the MacArthur Foundation. Between performances of the groundbreaking “A 24-Decade History of Popular Music,” Mac was staying at the Hotel G in downtown San Francisco, built in 1909. The hotel room abutted a stairway; I peeked inside, saw the color of the walls and the window light, and immediately knew this was the place to make a picture. I had Mac play the ukulele, which was slightly difficult due to a hurt finger from stumbling in high heels during last night’s performance. Nonetheless, Mac was able to strum two or three chords, humming a quiet melody as I made pictures.

Photographed for the MacArthur Foundation.

Aaron Chow, an economics freshman at UC Berkeley, decided to research and investigate a real estate investment trust that a friend had invested in, only to discover that the trust had failed to file all kinds of SEC paperwork. Oops! Good for him, an…

Aaron Chow, an economics freshman at UC Berkeley, decided to research and investigate a real estate investment trust that a friend had invested in, only to discover that the trust had failed to file all kinds of SEC paperwork. Oops! Good for him, and probably bad for shady investment firms, once this young man graduates and starts his career. Chow suggested we shoot at the Asian Studies library because it has "cool architecture." By the Japanese periodicals, I custom white-balanced the fluorescent light by his head, which pushed the huge skylight in the background into a deep blue. I love it when I can employ optical physics instead of a dolly full of lighting equipment to make a compelling portrait!

Photographed for The Wall Street Journal.

David Wallerstein, the “Chief Exploration Officer” for Tencent, works in a converted church in Palo Alto. We made a number of moody pictures by the stained glass windows, and thought we had it in the bag. As we were walking back to the front door, w…

David Wallerstein, the “Chief Exploration Officer” for Tencent, works in a converted church in Palo Alto. We made a number of moody pictures by the stained glass windows, and thought we had it in the bag. As we were walking back to the front door, we passed through the kitchen area where I saw the yellow-green wall with symmetrical clocks. At this point, we were warmed up and talking. David was using his phone to play some of his band’s heavy metal songs for me, and I commandeered his public relations assistant to hold a strobe. As you can see, David rocks!

Photographed for The Wall Street Journal.

A Midwestern Holiday

Photography: Road trip photos of Missouri

I married into a family that has many more traditions than my family. We go to my wife's hometown of St. Louis at least three times a year, and every time I go, I add to an ongoing photo essay of St. Louis and the region. St. Louis is different in a way that is hard for an outsider like myself to describe, so I do it with images.

As some of my other personal work is about the environment and our impact on it, some of the pictures I make relate to this theme. However, I also make pictures of my in-laws and their home. It's a quiet house on a quiet street, with a quiet dignity to the area that is different than the suburbs of San Antonio I grew up in, hewed out of South Texas caliche and live oak scrub.

As we become more alike in the Age of Information, I still try to celebrate the regional differences in America that give each place it's own particular flavor.

Northern California fire coverage for The Wall Street Journal

Last week, I was called by The Wall Street Journal to shoot video and still photographs of the aftermath of the historic wildfire in Sonoma and Mendocino counties in northern California. The devastation was unlike anything I had ever witnessed.

My assignments allowed me to interact with the Monroes, whose family property in Redwood Valley, California was completely destroyed. You can read the harrowing story here.

Right-wing rally at Berkeley's Martin Luther King Jr. Civic Center Park

It was a busy weekend here in the Bay Area, ending with a sometimes violent rally held at at the Martin Luther King Jr. Civic Center Park. The event began quietly and then quickly ramped up into violence. I avoided the main scrum and stayed around the edges. However, quite a bit of activity happened where I was stationed near Allston and MLK, where I made the photos below. 13 people were arrested, but thankfully nothing happened as tragic as what took place in Charlottesville a few weeks ago. 

On Commission: Non-profit photography for Plant It Forward Farms

A recent commission to create fresh imagery for a Houston-based non-profit organization allowed me to see first-hand how refugees are being helped to establish themselves in their new country. Plant It Forward serves mainly Congolese refugees by allowing them to farm unused land in urban areas while letting participants keep all their profit. Farmers sell their fresh veggies at local farmers markets as well as farm-to-table based restaurants.

The images were used to build a new website, create print collateral and for social media publication. 

From the archives: Bull Riding School Student Portraits

I recently took time to reorganize some of my negative archives when I came across some portraits I took at a bull riding school in 2014. I remember my goal was to make a portrait of the students immediately following their first-ever ride on a bull. The students, to my surprise and initial disappointment, looked nonplussed. I wanted to see a modicum of vulnerability in their faces, but instead only saw pictures of teenagers in cowboy clothing. I scrapped the idea and moved on.

A second look this month, at least three years later, revealed there is an underlying tension in the images, for me at least. Whom of us as adolescents couldn't wait to grow up to be the archetype we most admired? In some of these images, I see some who easily slide into the role, and others have a long trail ahead of them.

In case you're interested, the images were shot with a Hasselblad 553ex and Tri-X film. Let me know what you think!

Cheers,

Eric

On Assignment: recent photographic work for a large chemical company

I'm proud to present work I recently completed for a large chemical company. It's always an adventure suiting up in fire-retardant clothing, steel-toe boots, gloves and safety glasses and venturing into the maze-like catacombs of a multi-billion dollar chemical plant expansion.

The scale of the project is awe-inspiring and I'm amazed how over 4000 people show up to work every day and bring such an enormous project into reality. Visually, it's always fun to get this close to the action, something most of us don't have the opportunity to do. The geometry, symmetry, and the amazing way everything visually fits together into one delights my eye.

Check out some of my work below and let me know what you think.

Cheers,

Eric

Protest coverage for the San Francisco Chronicle

Last week was busy in the Bay Area with multiple rallies and protests connected to the presidential inauguration. I was sent to cover two protests, both at or near Oakland City Hall on two separate days, for the San Francisco Chronicle.

As this was the same area that was exposed to rioting following the 2016 election, it was all-hands-on-deck. For the protest following the inauguration, photojournalists, myself included, would work in overlapping shifts that began at 7am in the morning and didn't end until 15 hours later. For those who've never experienced it, covering a large, all-day protest with the threat of possible violence in the evening required a bit of planning and mental preparation. Having covered the riots in Ferguson, Missouri, where I was shot in the arm with a "non-lethal" projectile and sucked up plenty of CS gas, I made sure my ducks were in a row: putting the flak vest and helmet into my car, as well as making sure I had a fresh respirator cartridge in my gas mask.

While covering Ferguson, I learned an important lesson. I had bought a gas mask from local Army surplus store the day after my first night of coverage where I found out just how nasty CS gas is. Like clockwork, gas came again the next night. It was only then I learned that filter cartridges have expiration dates. Whoopsy! Luckily, things didn't progress in that direction in Oakland this time around. After all was said and done, I think only three people were arrested out of a march of thousands, which I've learned is apparently very tame by Oakland standards.

By the way,  I'm totally great with tame protests. Imagine looking for moments to photograph while simultaneously keeping an eye open for anarchists looking to punch me, or grab my camera, while carrying about 30 pounds of gear following four hours of marching. It's a lot to think about.

The images I've included in this post aren't necessarily the most storytelling or dramatic, just my favorites from the last couple of weeks. Enjoy!