Red Rider

Yesterday morning, I woke up around 5am to make a drive to Hockley, Texas. My assignment was to photograph the Harris County Sheriff's Mounted Patrol as they participated in the 62nd Annual Pony Express Ride. The event consists of 40 horses and riders, primarily from local law enforcement mounted patrol agencies, who travel along U.S. Highway 290 to Austin in a relay fashion.  Their objective is to deliver 2011 Houston Livestock Show and Rodeo invitations to the governor and lieutenant governor of Texas. Cold weather, horses and the people who ride them, as well as great light made the morning fabulous. [gallery orderby="rand"]

Mike Davis on newspaper photography

This is NOT Mike Davis

Ten years ago, when I was starting out in photojournalism, a very talented, sage, albeit cynical photographer told me that the majority of newspaper photography is about people and their stuff (see example of mine above).

That person was not Mike Davis. While Photo editor Mike Davis has always been smart about describing and interpreting photography in general and photojournalism in particular, he is much more articulate in his thoughts about newspaper photography than my early mentor. In this link, Davis digs deeper into this subject as he describes the qualities of a newspaper photograph and its creative limitations.

Toni Hickman - Overcoming Obstacles

Toni Hickman, an Atlanta native, overcame two aneurisms to become an aspiring hip-hop artist. Doctors originally told her she would be in a wheelchair the rest of her life. Through her own efforts and the efforts of the Shepherd Center in Atlanta, she was able to beat the odds. We wanted a hip-hop feel, so we used the east-facing wall at Java Java Cafe in the Heights neighborhood of Houston. The owner was very accommodating and even let me use his AC outlet for my lights. Also, we had to shoot on what was probably the coldest day of the year, another testament to Toni's grit and determination underlying her beauty.

110202_ELK__Toni_Hickman_024.JPG

Natural light versus lit

Last month I had a couple of portrait assignments that contrasts how I work in different situations. In the first, the assignment was to photograph a long-haul trucker who was having trouble with his CDL license. Initially, I was told his truck would be at his residence. In fact, it was out at a yard that happened to be on federal property. For the moment, my lights are strictly AC powered although that is supposed to change soon. Instead, I had the blessing of a day with full sun, although clouds were slowly creeping in (at one point, we had to wait 45 minutes at a railroad crossing because his truck was just on the other side. Sometimes I really LOVE Houston...). I had him point his truck into the north so the grill would be in the shade. I then used a simple reflector to point the sun back into the shadow and photographed him with a 35mm/f1.4 lens. The next image was more controlled, but alas, the weather was crappy. I think it was Sam Abell who said bad weather makes good pictures. Because the sky was dark, it was a Saturday assignment and I had time and because I had a willing subject who was proud of his home, I was able to pull out some stops and practice my lighting. I lit the subject with a medium softbox from camera left and used a flood camera right to put a hard light on the side of his face and to also light up the house. Because I lit the scene, I was also able to create a more dramatic sky.

[gallery orderby="ID"]

A morning workout with MLB super-star Carl Crawford

A couple of weeks ago, I had the pleasure of photographing newest Boston Red Sox player Carl Crawford as he did an off-season workout session in his hometown of Houston. It's amazing to see how hard this guy works out. I suppose I would too if someone were paying me $142 million dollars to play baseball. Nonetheless, I found him to be very humble and down-to-earth. He's a natural athlete and could have been a pro in a number of sports. You can check out the story here.[gallery orderby="rand"]

Making success its business

I covered a story last week for the Houston Chronicle about a neighborhood center that is doing great things for the neighborhood - helping people learn how to file taxes, open bank accounts, and learn basic entrepreneurial skills. I spent a short time with Candelaria Galindo, who teaches a piñata-making class to others at the center. The idea was to surround her by her students' work and put her in the middle. When everything was in place, I said "Sonrisa!" The image made the front page this morning.

[gallery orderby="ID"]

Jesse Dayton comes to Houston

Jesse Dayton is a honkytonk/rockabilly guitarist and singer from Beaumont who now lives in Austin. He's sold a bunch of records over the past few years doing soundtrack work for Rob Zombie films. But his new album finds him getting back to his honky tonk roots with a tribute album to Texas' great dance halls. I photographed Jesse at the La Carafe bar near Market Square in Houston. It was the middle of the day and the place was just about deserted. The very cool bartender, Gavin, let me utilize the place for an hour while I set up and made Jesse Dayton's portrait for the local 29.95 tabloid magazine.[gallery orderby="ID"]

New Arcade Fire tearsheets

On a random visit to the magazine store, I picked up a copy of the Nov. 28, 2010 edition of The Observer, a newspaper from the UK. I happened to find one of the photos I made of Arcade Fire on an inside page (the cover shot is a brilliant portrait made by Carl Lessard [fancy website - it will take some navigating to find his work, but it's well-worth the effort] originally shot for Vanity Fair). I was pumped. Then, I moseyed over to the music magazines and lo and behold, some other work of mine I did for the band is featured on the cover and also some inside shots for Billboard Magazine's Musician's Guide. Lastly, I received an honorable mention in PDN's Ultimate Music Moment contest. For those who don't know, PDN (Photo District News) is an industry magazine for photography. Christmas came early this year, or Hannukah came late, whichever suits your needs :-)

[gallery]

Gregory E. Hall, contractor and coordinator for the rescue of 33 miners trapped in a mine in Copiapo, Chile.

I recently photographed Mr. Hall for Columbia Magazine, a publication published for members of the Knights of Columbus, a Catholic organization. We met inside Mr. Hall's sparsely furnished office in a shopping center in Cypress, Texas, about 45 minutes outside of Houston. Not having many options as far as a storytelling environment, I decided to put the 6'8" Mr. Hall into a corner and blow out the background. He regaled us with off-the-record stories of backstage intrigue at the rescue site. It was his "Plan B" that proved successful in recovering the trapped miners. He says divine providence is what saved the men. I personally think it was because of Mr. Hall's ingenuity and vast experience that saved the 33 miners.

Vote for me!

Gentle reader - At the risk of sounding obnoxious and self-serving, I'm asking for your help by voting for me in a photography contest. I've entered a few of the photos I made of Arcade Fire in the long shot that I might actually win. It wasn't cheap to enter - $35 an entry - so as you can see, I'm all in on this one. I have 13 images entered into the contest and you're allowed to vote for each one if you so please.

That being said, please vote for me in the Ultimate Music Moment contest. It would mean so much to me - specifically a free tripod, a gift bag, and, quite possibly and best of all, publication in the photography industry magazine PDN.

Place your vote here.

Fall 2010 Print Promotion is ready to start!

There's nothing like the smell of 815 promotional booklets in the morning! This weekend will be spent stuffing and stamping a 16-page CD booklet format that premieres work I did over the summer for indie band Arcade Fire.

It was designed by Greece-based designer Michael Karakostas and coordinated by photo consultant extraordinaire Jasmine DeFoore. It took about 10-12 weeks or so to complete from beginning to end.  The printing was done by Jakprints and they did a phenomenal job.

It will be sent to 815 art buyers, ad agencies and photo editors across the nation.

What do you think?

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

print_promo

Can you run on some news?

It's a question I get asked fairly often by the photo desk at the local paper. I get a strange mix of excitement and trepidation. Excitement because I know if I want the most dramatic photos, I'll need to get there quickly and hit the ground running. Trepidation because I don't get phone calls because something really good has happened - it's usually a fire where someone might be trapped, a SWAT stand-off with a hostage involved, or like yesterday, when I got a call to head to east Harris county because a four-year old girl had been shot. I knew that it would be at least 45 minutes before I could be on the scene. It was late in the day and I wasn't sure what traffic would be like. When I relayed this to the editor, he said the incident had happened hours ago. I settled down a bit, knowing that all I'd probably get was a shot of some yellow police tape flapping in the wind with maybe a cop standing around in the background. I wouldn't call this breaking news. It was more like news that was already broken.

Nonetheless, I'm a firm believer that there is always something worth documenting. I got to the scene and sure enough, there was the yellow tape in front of the tired, weather-beated apartment complex. Harris county sheriff's deputies milled about and I could tell by the feel of the scene that things were going to be wrapped up soon. I was about to pack up and leave after I photographed a deputy taking down the police tape. When behind me, I heard a woman crying. I followed her to ask her what was wrong. The police were taking her husband down to the station (others were later charged) for questioning. He had been sitting in the back of the police car since I had been there, but she had thought they were going to let him go.

Happy accident

Lately I've been doing quite a bit of shooting with my Yashica T4, a great point-and-shoot from the mid-1990's that has a very sharp Zeiss lens on it. Part of the fun is heading to Walgreen's or CVS to turn in a roll of film when I'm done. I love the anticipation and waiting and most of all getting prints(!) when I come in to pick up my order. My last visit, I had the roll scanned to a CD instead of getting prints, figuring I can order prints individually (all these prints can get expensive, yah know? and where do I store them all? it's bad enough trying to keep digital files organized, but I digress). Before I left, I looked at the photos on a reprint kiosk next to the counter. I noticed that just about all of the scans were off, showing some or most of the edge of the negative frame between shots. Looking through them, I was excited by the dialogue these happy accidents were creating. I was reminded of one of my favorite quotes by photographer Keith Carter, who quoted poet William Stafford to "always be on guard against perfection." The image below is my favorite "mistake" from the roll.